CLIENTS EXHIBITIONS PERMANENT COLLECTIONS PUBLICATIONS TEACHING CONSULTATION EDUCATION GRANTS |
CLIENTS New England Photographers '94, group show, Danforth Museum of Art, Framingham, MA, 1994 Three Photographers, group show, Lower Columbia College, Longview, WA, 1987 Ten Years of Photography, group show, Museum of Art, Rhode Island School of Design, Providence, RI, 1986 Light Sensitive, group show, Thomas Center Gallery, Gainesville, FL, 1986 Maine Photographic Workshop, group show, Puck Building, New York, NY, 1986 Dialogue, mixed media two person show, Warwick Museum Exhibition Center, Warwick, RI, 1985 Recent Work, two person show, University of Rhode Island, Providence, RI, 1985 Instant Images, group show, Photographic Arts Society, Durham, NC, 1985
Rhode Island Hospital Corporation, Corporate Collection, Providence,
RI PUBLICATIONS (Books, Journals, Catalogs, and Digital Media) Percival Goodman: Architect, Planner, Teacher, Painter. Angela Giral and Kim Elman, eds. Columbia University, 2001 Digital Scriptorium Project. Robert Rainwater, curator. New York Public Library, Feb. 2001 - June 2001 Inventing the Skyline The Architecture of Cass Gilbert. The New York Historical Society, New York, NY, 2000 Architect of Dreams, the Theatrical Vision of Joseph Urban. Arnold Aronson. Miriam And Ira D. Wallach Art Gallery, Columbia University, 2000 New York 1880: Architecture and Urbanism in the Guilded Age. Robert A.M. Stern, Thomas Mellins, and David Fishman. Monacelli Press, 1999 The Journal of Preservation Technology, Special Issue: Preserving Historic Guastavino Tile Ceilings, Domes, and Vaults. Association for Preservation Technology, 1999 Experiments in the Everyday: Alan Kaprow and Robert Watts Events, Objects and Documents. Benjamin Buchloh and Judith Rodenbeck. Columbia University, 1999 A Book of One's Own. Rudolph Ellenbogen, curator. Columbia University, 1999 Lewis W. Hine: The Empire State Building. Freddy Lander. Prestal-Verlag, 1998 Brushed Voices: Calligraphy in Contemporary China. Yiguo Zhang. Columbia University, 1998 Cleve Grey. Nicholas Fox Weber. Harry Abrams, 1998 The Sevres Porcelain Manufactury: Alexandre Brongniart and the Triumph of Art and Industry, 1800-1847. Yale University Press, 1998 Digital Scriptorium Project. Consuelo Dutschke, curator. Columbia University, 1997-1998 Ties that Bind: Fiber Art by Ed Rossbach and Katherine Westphal. Susan Hay, curator. Museum of Art - Rhode Island School of Design, 1997 Apostles in England, Sir James Thornhill and the Legacy of Raphael's Tapestry Cartoons. Arline Meyer. Columbia University, 1996 Various exhibition catalogs, press releases, and books, such as American Screenprints and Graphic Excursions: American Prints in Black and White, 1900-1950. Fine art print collection of Reba and Dave Williams. Alliance Capital, NY, 1986 - present Norman Lundin: A Decade of Drawing and Painting. Robert Flynn Johnson. Tai Associates International, Inc, and Long Beach Museum of Art, 1990 The Old World Builds the New The Guastavino Company and the Technology of the Catalan Vault. Janet Parks and Alan G. Neumann, curators. Columbia University, 1996 Contemporary Architectural Drawings. Janet Parks, curator. Columbia University, 1991 Aviador Project. Videodisc for in-house and Internet access. Columbia University, 1988 - 1991 Contemporary Quilts. Arlette Klaric, curator. Boston University Art Gallery, 1987 The Eden of America: Rhode Island Landscapes 1820-1920. Robert G. Workman, curator. Museum of Art - Rhode Island School of Design, 1986 Joyce Kozloff Visionary Ornament. Patricia Johnston, curator. Boston University Art Gallery, 1986 Fortissimo! Thirty Years from the Richard Brown Baker Collection of Contemporary Art. Museum of Art - Rhode Island School of Design, 1985 Celestial Images Astronomical Charts from 1500 to 1900. Patricia M. Burnham, curator. Boston University Art Gallery, 1985 TEACHING Photography for Art Historians. Full-day hands-on workshop. Columbia University, Art History Department, NY, 2000 - 2001 Guest lecturer. Park West Camera Club, New York, NY, 2000 Photography for the Conservation Professional. Advanced one-week workshop. Conservation Center, New York University, NY, 1989 - present Photography for Art Historians. Three-day workshop. Institute of Fine Arts, New York University, NY, 1989 - present Photography for Preservation of Historic Buildings. One-night seminar. Columbia University, Historic Preservation Program, NY, 1999 Guest lecturer. Community College of Rhode Island, RI, 1983 Guest lecturer. Southeastern Massachusetts University, MA, 1979 - 1980 CONSULTATION Studio and darkroom facility evaluation and upgrade. Pierpont Morgan Library, Thaw Center for Conservation, New York, NY, 2000 Studio and darkroom facility evaluation and upgrade. Conservation Center of the Institute of Fine Arts, New York University, New York, NY, 1999 Juror, Individual Artist Projects Grant, Rhode Island State Council on the Arts, 1992 Exhibition Coordinator, Grant Recipients' Exhibition, Rhode Island State Council on the Arts, 1983 Juror, Student Photography Exhibition, Boston University Student Photography Exhibition, 1983 Juror, Grant Program in Photography, Rhode Island State Council on the Arts, 1987 and 1983 Member of the Board of Directors, Electron Movers Video Art and Media Center, 1980-1981 Exhibition Review Committee, Anyart Contemporary Arts Center, 1979-1982 Curator, More Than One gallery exhibition, 1978 EDUCATION BFA in Photography; Minor in Photo Education, Antioch College, Union of Experimental Colleges and Universities, 1978 Friends of Photography Workshop, Carmel, CA full tuition scholarship Maine Photographic Workshop, Rockport, ME full tuition scholarship GRANTS 1983
- Art Association of Newport, national juried exhibit |